The Personal Is Political

Probing the canon of art history and its discontents, the essays featured in this volume study responses to the varied ecologies of power within cultures of lens-based and performance art. They examine the horizons of personal and collective memory and the phenomenology of a de-sequential temporality. Focusing on practices which contravene axiomatic relations, disciplinary gestures of exclusion, and archival impulses towards erasure, these essays are drawn from surveys of selected films, photo archives, trans-media practices, and performances in South Asia and beyond.

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